Here is the English translation of the additional details regarding the mosque:

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1. Architectural Structure and Design Details

  • Waterfront Location: At the time of its initial construction and prior to the coastal land reclamation projects, the mosque possessed a true “Waterfront/Yalı Mosque” architecture, directly facing the Marmara Sea and the Princes’ Islands, with waves lapping right at its edge.
  • The 1960s Reconstruction: After the original 1885 Ottoman structure—which was predominantly wooden/lath-and-plaster—fell into ruin and was demolished, the reconstruction process in the 1960s blended traditional architectural lines with modern reinforced concrete techniques. It features a single minaret and a single main dome over the prayer hall. Large windows were integrated into the design to maximize the entry of natural light reflecting off the sea.

2. Social and Regional Memory (The Village Era)

  • A Sanctuary for Fishermen and Seafarers: The mosque was a central gathering hub for the old locals of Maltepe, including fishermen, captains, and vineyard owners. Directly in front of and surrounding the mosque, there used to be a pier where old fishing boats moored, accompanied by traditional open-air cafes shaded by plane trees.
  • Connection with Beşçeşmeler: The mosque is located within walking distance of the historic Beşçeşmeler Square, considered the heart of the old Maltepe Village, as well as the old train station. It sits precisely at the junction point of the axis leading down to the coast from the foothills of Dragos.

3. Zeki Müren and the Tradition of Anonymous Donations

  • Association Records: During the 1960s, mosque constructions in Turkey were generally not executed directly by the state, but were instead managed by “Associations for the Construction and Maintenance of Mosques” established by local communities. Residents of Dragos and prominent artistic circles supported these associations either through official receipts or by directly supplying construction materials such as cement, iron, and marble.
  • Anonymous Charitable Acts: During that era, donations made by figures like Zeki Müren were not displayed on official signboards due to religious sensitivities and the principle of “not letting the left hand know what the right hand gives.” Instead, these contributions were quietly recorded in the association ledgers under the entry of “a benevolent benefactor.”
    Despite the modern coastal roads and land reclamation projects surrounding it today, the Maltepe Yalı Mosque continues to stand as one of the most significant historical and architectural landmarks connecting the old village center with the foothills of Dragos.
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